People sometimes ask "where do you get your ideas for jewelry?"
I steal them, of course. Not from other jewelers or artists, but from the lines of trees and plants, the squiggles of clouds, craggy bluffs and mountains and from ancient cultures and motifs.
Here I will trace the development of one such design from its ancient inspiration through my several modern interpretations.
This photo shows an Agades cross, a form of folk ornament found among the peoples of North Africa. Usually made of silver with stamped or engraved patterns, the derivation of this design is unknown, its meaning lost in antiquity.
My personal theory is that it was derived from
the Talhakimt, an ornament found in the
region which produces the Agades cross. Talhakimt were originally
produced in Carnelian and other agate stones by the local peoples,
and were eventually copied for trade purposes by Europeans in
glass and even plastic. Since agate is a hard stone and sometimes
used to form arrowheads and spear points, my theory is that this
is how these ornaments developed. After all, to the Stone Age
cultures the spear or arrow point is a powerful symbol and a result
of their highest technology. It is only natural that the arrowhead
developed into the
Talhakimt which became the Agades cross. There
is even one North African metal ornament in my
seems to almost bridge the gap.
Now the development of a new design generally does not start with me sitting down with one of these artifacts and thinking about how I can adapt the design. Rather, the way of it is that I own a number of these types of objects and antiquities and books and publications about them. Lets say that I am aware of ancient, traditional and ethnic design and embellishment, and carry these into my work.
I suppose I was sitting down trying to design a piece with a triangular lapis Lazuli and an opal and thinking about how to attach a chain up above, without doing it the way it's always done, with a pendant bale or a jump ring. I came up with a disk, textured and thick enough for a chain to pass through. See photo at left.
A couple of years later I was toying with this
idea again, when I thought of the Agades cross design. Why not
add a couple of triangles like the ancient design? Then a cross
piece to break up the circle and triangle. Another pendant was
As I was looking at this pendant later, I thought combining the design with some moonstone carved faces I had gotten a hold of. I had already used a moonstone face with a plain cross piece and faceted gemstone down below in a very nice custom designed pendant shown here.
I figured that adding the triangles on the ends would be kind of like hands, or like arrows representing directions. The first of my Shaman series was created .
From there I went wild! I thought about different stones, no stones at all, fossils, different hair and halo effects and even created some without the arrow cross piece.
I created small multimedia sculptures with this motif.
(click photo for enlargement.)
The one on the left is the newest in mixed metals created may 2005
After this design breakthrough, I have designed a number of these pieces, as they represent a narrative, poetic and amulet-like aspect of my jewelry. This design series will continue to evolve. So unusual and distinctive was this design that it has been included in several jewelry magazines. One of my customers was wearing one recently at the Bellevue Arts and Crafts Fair where a craftsperson remarked " Is that a Michael Babinski Piece"?
So this is how a design evolves for
It may be different for other designers but it is always a fascinating
Here are the newest from 2017:
Michael Babinski ©1998,2017